Confira abaixa sinopse oficial:<\/p>\n
O Hil\u00e1rio Cortejo de um Rei<\/strong><\/em><\/p>\n \u00a0Apresenta\u00e7\u00e3o <\/strong><\/em><\/p>\n \u00a0A\u00a0 Imperiais\u00a0 de\u00a0 Madureira\u00a0 al\u00e7a\u00a0 voo\u00a0 com\u00a0 sua\u00a0 \u00e1guia\u00a0 imperial\u00a0 para\u00a0 celebrar\u00a0 o\u00a0 legado\u00a0 de\u00a0 Hil\u00e1rio\u00a0 Jovino\u00a0 Ferreira,\u00a0 o\u00a0 \u201cLalau\u00a0 de\u00a0 Ouro\u201d,\u00a0 que,\u00a0 com\u00a0 seu\u00a0 batuque\u00a0 e\u00a0 irrever\u00eancia,\u00a0 reinventou\u00a0 a\u00a0 forma\u00a0 de\u00a0 se\u00a0 pular\u00a0 o\u00a0 carnaval\u00a0 no\u00a0 Rio\u00a0 de\u00a0 Janeiro\u00a0 do\u00a0 in\u00edcio\u00a0 do\u00a0 s\u00e9culo\u00a0 XX.\u00a0 Entre\u00a0 confetes\u00a0 e\u00a0 serpentinas,\u00a0 celebramos\u00a0 os\u00a0 carnavais\u00a0 de\u00a0 outrora\u00a0 e,\u00a0 com\u00a0 muita\u00a0 nostalgia,\u00a0 lembramos\u00a0 do\u00a0 esplendor\u00a0 dos\u00a0 ranchos\u00a0 carnavalescos\u00a0 e\u00a0 o\u00a0 surgimento\u00a0 das\u00a0 primeiras\u00a0 escolas\u00a0 de\u00a0 samba,\u00a0 descendentes\u00a0 diretas\u00a0 dessa\u00a0 tradi\u00e7\u00e3o.\u00a0 Em\u00a0 cinco\u00a0 setores,\u00a0 navegamos\u00a0 pela\u00a0 hist\u00f3ria\u00a0 de\u00a0 Hil\u00e1rio,\u00a0 com\u00a0 cr\u00edticas\u00a0 mordazes,\u00a0 rever\u00eancias\u00a0 aos\u00a0 que\u00a0 vieram\u00a0 antes\u00a0 e\u00a0 um\u00a0 apelo\u00a0 para\u00a0 que\u00a0 o\u00a0 samba\u00a0 n\u00e3o se perca na poeira da hist\u00f3ria.<\/em><\/p>\n 1 \u00ba Setor – Desponta o Pr\u00edncipe Negro da Bahia <\/strong><\/em><\/p>\n \u00a0Eis\u00a0 que\u00a0 os\u00a0 b\u00fazios\u00a0 ca\u00edram,\u00a0 o\u00a0 Or\u00e1culo\u00a0 de\u00a0 If\u00e1\u00a0 tra\u00e7ou\u00a0 o\u00a0 destino.\u00a0 Orunmil\u00e1\u00a0 profetizou\u00a0 que,\u00a0 nas\u00a0 profundezas\u00a0 do\u00a0 tempo,\u00a0 um\u00a0 pr\u00edncipe\u00a0 negro,\u00a0 de\u00a0 ra\u00edzes\u00a0 africanas,\u00a0 surgiria\u00a0 para\u00a0 guiar\u00a0 um\u00a0 povo.\u00a0 Nascido\u00a0 sob\u00a0 a\u00a0 b\u00ean\u00e7\u00e3o\u00a0 dos\u00a0 orix\u00e1s,\u00a0 filho\u00a0 de\u00a0 forros\u00a0 e\u00a0 de\u00a0 linhagem\u00a0 real,\u00a0 ele\u00a0 ergueria\u00a0 sua\u00a0 voz\u00a0 em terras distantes.<\/em><\/p>\n \u00a0Na\u00a0 Bahia,\u00a0 ber\u00e7o\u00a0 da\u00a0 f\u00e9\u00a0 e\u00a0 da\u00a0 resist\u00eancia,\u00a0 mosaico\u00a0 de\u00a0 cren\u00e7as\u00a0 e\u00a0 tradi\u00e7\u00f5es,\u00a0 sagrada\u00a0 e\u00a0 profana,\u00a0 exuberante,\u00a0 ancestral\u00a0 e\u00a0 tropical,\u00a0 que\u00a0 a\u00a0 profecia\u00a0 se\u00a0 concretizou.\u00a0 Na\u00a0 m\u00edstica\u00a0 Salvador,\u00a0 despontou Hil\u00e1rio Jovino Ferreira.<\/em><\/p>\n \u00a0Sua\u00a0 inf\u00e2ncia\u00a0 se\u00a0 desenrolou\u00a0 pelas\u00a0 antigas\u00a0 ruelas\u00a0 de\u00a0 paralelep\u00edpedos,\u00a0 onde\u00a0 os\u00a0 aromas\u00a0 do\u00a0 dend\u00ea\u00a0 e\u00a0 do\u00a0 acaraj\u00e9\u00a0 entrela\u00e7avam-se\u00a0 ao\u00a0 perfume\u00a0 das\u00a0 flores\u00a0 de\u00a0 Yemanj\u00e1;\u00a0 ouvia\u00a0 os\u00a0 cantos\u00a0 e\u00a0 batuques\u00a0 dos\u00a0 terreiros\u00a0 de\u00a0 candombl\u00e9,\u00a0 os\u00a0 toques\u00a0 dos\u00a0 atabaques,\u00a0 berimbaus\u00a0 e\u00a0 pandeiros\u00a0 ecoando\u00a0 pelos\u00a0 becos;\u00a0 encantava-se\u00a0 com\u00a0 os\u00a0 festejos\u00a0 populares,\u00a0 o\u00a0 cortejo\u00a0 dos\u00a0 Reis\u00a0 Magos\u00a0 e\u00a0 as\u00a0 celebra\u00e7\u00f5es\u00a0 do\u00a0 carnaval;\u00a0 viu\u00a0 o\u00a0 samba\u00a0 germinar\u00a0 e\u00a0 a\u00a0 malandragem,\u00a0 arte\u00a0 de\u00a0 resist\u00eancia,\u00a0 tomar\u00a0 forma\u00a0 e\u00a0 se\u00a0 estabelecer.\u00a0 Assim,\u00a0 conheceu\u00a0 os\u00a0 mist\u00e9rios\u00a0 das\u00a0 encruzilhadas\u00a0 de\u00a0 Ex\u00fa\u00a0 e\u00a0 absorveu a alegria e sabedoria ancestral do povo preto.<\/em><\/p>\n \u00a0Hil\u00e1rio cresceu e se tornou Lalau!<\/em><\/p>\n \u00a02\u00ba Setor – Os Ventos do Cais Aportam na Pequena \u00c1frica <\/strong><\/em><\/p>\n \u00a0Seguindo\u00a0 seu\u00a0 destino,\u00a0 aportou\u00a0 no\u00a0 Rio\u00a0 de\u00a0 Janeiro.\u00a0 A\u00a0 ent\u00e3o\u00a0 capital\u00a0 federal,\u00a0 efervescente\u00a0 e\u00a0 desigual.\u00a0 Uma\u00a0 cidade\u00a0 em\u00a0 reforma,\u00a0 odienta\u00a0 e\u00a0 violenta\u00a0 com\u00a0 os\u00a0 pretos\u00a0 e\u00a0 pobres,\u00a0 relegados\u00a0 \u00e0\u00a0 marginalidade.\u00a0 Mas\u00a0 era\u00a0 tamb\u00e9m\u00a0 a\u00a0 cidade\u00a0 onde\u00a0 o\u00a0 samba\u00a0 encontrava\u00a0 novos\u00a0 ritmos\u00a0 e\u00a0 a\u00a0 cultura afro-brasileira resistia no cais do Valongo.<\/em><\/p>\n \u00a0Sobreviver\u00a0 no\u00a0 Rio\u00a0 exigia\u00a0 habilidade\u00a0 e\u00a0 ast\u00facia.\u00a0 Bom\u00a0 malandro\u00a0 e\u00a0 capoeirista,\u00a0 sabia\u00a0 driblar\u00a0 as\u00a0 adversidades\u00a0 e\u00a0 conquistar\u00a0 respeito\u00a0 na\u00a0 comunidade.\u00a0 L\u00e1bia,\u00a0 ginga\u00a0 e\u00a0 carisma.\u00a0 Ao\u00a0 mesmo\u00a0 tempo,\u00a0 era\u00a0 um\u00a0 agente\u00a0 cultural,\u00a0 carregando\u00a0 a\u00a0 mem\u00f3ria\u00a0 de\u00a0 sua\u00a0 Bahia\u00a0 e\u00a0 transformando\u00a0 o\u00a0 Distrito Federal com sua m\u00fasica e sua dan\u00e7a.<\/em><\/p>\n \u00a0Nas\u00a0 noites\u00a0 da\u00a0 Pra\u00e7a\u00a0 Onze,\u00a0 ao\u00a0 som\u00a0 de\u00a0 cavaquinhos\u00a0 e\u00a0 pandeiros,\u00a0 frequentava\u00a0 a\u00a0 casa\u00a0 da\u00a0 quituteira,\u00a0 m\u00e3e\u00a0 de\u00a0 santo\u00a0 e\u00a0 \u201cxar\u00e1\u201d\u00a0 Tia\u00a0 Ciata.\u00a0 Ali,\u00a0 o\u00a0 samba\u00a0 florescia\u00a0 entre\u00a0 bolinhos\u00a0 de\u00a0 acaraj\u00e9\u00a0 e\u00a0 hist\u00f3rias\u00a0 da\u00a0 di\u00e1spora.\u00a0 Foi\u00a0 nesse\u00a0 terreiro\u00a0 que\u00a0 \u201cPelo\u00a0 Telefone\u201d\u00a0 ecoou\u00a0 pela\u00a0 primeira\u00a0 vez,\u00a0 obra\u00a0 que\u00a0 defendia\u00a0 ser\u00a0 coletiva,\u00a0 fruto\u00a0 da\u00a0 magia\u00a0 dos\u00a0 encontros.\u00a0 Dali,\u00a0 o\u00a0 ritmo\u00a0 que\u00a0 pulsava\u00a0 no\u00a0 cora\u00e7\u00e3o\u00a0 do\u00a0 Brasil\u00a0 ganhou\u00a0 o\u00a0 mundo,\u00a0 e\u00a0 Lalau,\u00a0 com\u00a0 sua\u00a0 malandragem,\u00a0 firmou-se\u00a0 como\u00a0 um\u00a0 dos guardi\u00f5es desse legado.<\/em><\/p>\n 3 \u00ba Setor – O Rei de Ouro da Folia <\/strong><\/em><\/p>\n \u00a0No\u00a0 Rio,\u00a0 ao\u00a0 conhecer\u00a0 o\u00a0 Dois\u00a0 de\u00a0 Ouros,\u00a0 rancho\u00a0 que\u00a0 brilhava\u00a0 no\u00a0 Dia\u00a0 de\u00a0 Reis,\u00a0 rememorou\u00a0 sua\u00a0 inf\u00e2ncia\u00a0 na\u00a0 Bahia.\u00a0 Mas\u00a0 decidiu\u00a0 ir\u00a0 al\u00e9m.\u00a0 Num\u00a0 botequim\u00a0 da\u00a0 velha\u00a0 \u00e1rea\u00a0 central,\u00a0 entre\u00a0 goles\u00a0 e\u00a0 risos,\u00a0 ousou\u00a0 sonhar.\u00a0 Meio\u00a0 metro\u00a0 de\u00a0 pano\u00a0 verde,\u00a0 meio\u00a0 metro\u00a0 de\u00a0 pano\u00a0 amarelo,\u00a0 e\u00a0 o\u00a0 estandarte de seu reinado nasceu. Brilhante, alegre e original.<\/em><\/p>\n \u00a0No\u00a0 cortejo\u00a0 real,\u00a0 o\u00a0 \u201cRei\u00a0 de\u00a0 Ouro\u201d\u00a0 decidiu\u00a0 pular\u00a0 carnaval.\u00a0 Porta-machado,\u00a0 porta-bandeira\u00a0 e\u00a0 batedores\u00a0 abriram\u00a0 alas,\u00a0 desfilaram\u00a0 com\u00a0 gra\u00e7a\u00a0 e\u00a0 impon\u00eancia\u00a0 e\u00a0 desafiaram\u00a0 conven\u00e7\u00f5es.\u00a0 O\u00a0 rancho\u00a0 conquistou\u00a0 as\u00a0 ruas,\u00a0 revolucionou\u00a0 a\u00a0 folia,\u00a0 e\u00a0 Lalau\u00a0 tornou-se\u00a0 o\u00a0 maestro\u00a0 de\u00a0 um\u00a0 carnaval que unia tradi\u00e7\u00e3o e modernidade.<\/em><\/p>\n \u00a0Em\u00a0 pouco\u00a0 tempo,\u00a0 os\u00a0 ranchos\u00a0 ganharam\u00a0 notoriedade\u00a0 e\u00a0 atra\u00edram\u00a0 o\u00a0 pov\u00e3o.\u00a0 Diferentemente\u00a0 das\u00a0 sociedades\u00a0 carnavalescas,\u00a0 que\u00a0 reinavam\u00a0 nos\u00a0 bailes\u00a0 da\u00a0 elite\u00a0 de\u00a0 uma\u00a0 cidade\u00a0 que,\u00a0 entre\u00a0 canetas\u00a0 e\u00a0 picaretas,\u00a0 almejava\u00a0 transformar-se\u00a0 em\u00a0 uma\u00a0 ‘Paris\u00a0 Tropical’,\u00a0 os\u00a0 ranchos\u00a0 aproximavam o carnaval da cultura popular, principalmente da popula\u00e7\u00e3o negra e oper\u00e1ria.<\/em><\/p>\n \u00a0Do\u00a0 Rei\u00a0 de\u00a0 Ouro\u00a0 ao\u00a0 Rosa\u00a0 Branca,\u00a0 Bot\u00e3o\u00a0 de\u00a0 Rosa\u00a0 e\u00a0 Ameno\u00a0 Resed\u00e1,\u00a0 Lalau\u00a0 n\u00e3o\u00a0 era\u00a0 apenas\u00a0 um\u00a0 carnavalesco,\u00a0 mas\u00a0 um\u00a0 arquiteto\u00a0 da\u00a0 alegria.\u00a0 Blocos\u00a0 e\u00a0 ranchos\u00a0 brotavam\u00a0 de\u00a0 sua\u00a0 mente\u00a0 criativa\u00a0 e\u00a0 com\u00a0 eles\u00a0 ajudou\u00a0 a\u00a0 difundir\u00a0 o\u00a0 samba,\u00a0 at\u00e9\u00a0 ent\u00e3o\u00a0 marginalizado\u00a0 e\u00a0 perseguido,\u00a0 como\u00a0 uma express\u00e3o leg\u00edtima da cultura popular brasileira.<\/em><\/p>\n \u00a0Com\u00a0 o\u00a0 samba\u00a0 correndo\u00a0 em\u00a0 suas\u00a0 veias,\u00a0 uniu\u00a0 m\u00fasica,\u00a0 dan\u00e7a\u00a0 e\u00a0 narrativa,\u00a0 reescrevendo\u00a0 a\u00a0 hist\u00f3ria do carnaval.<\/em><\/p>\n \u00a04\u00ba Setor: Seu Legado Morrer\u00e1 na Quarta-Feira de Cinzas? <\/strong><\/em><\/p>\n \u00a0Ap\u00f3s\u00a0 a\u00a0 euforia,\u00a0 a\u00a0 ressaca\u00a0 de\u00a0 mais\u00a0 um\u00a0 carnaval.\u00a0 Mas\u00a0 aquela\u00a0 quarta-feira\u00a0 de\u00a0 cinzas\u00a0 seria\u00a0 ainda mais ingrata. O \u00a0Di\u00e1rio Carioca \u00a0noticiava a partida\u00a0 de Lalau.<\/em><\/p>\n \u00a0\u201cFaleceu,\u00a0 \u00e0\u00a0 primeira\u00a0 hora\u00a0 de\u00a0 ontem,\u00a0 quinze\u00a0 minutos\u00a0 ap\u00f3s\u00a0 a\u00a0 despedida\u00a0 de\u00a0 Momo,\u00a0 este\u00a0 monarca\u00a0 sem\u00a0 pretens\u00f5es\u00a0 nobil\u00edssimas\u00a0 a\u00a0 quem\u00a0 ele\u00a0 serviu\u00a0 desde\u00a0 os\u00a0 dias\u00a0 da\u00a0 sua\u00a0 mocidade,\u00a0 o\u00a0 querido\u00a0 e\u00a0 veterano\u00a0 carnavalesco\u00a0 Hil\u00e1rio\u00a0 Jovino Ferreira.\u201d <\/em><\/p>\n \u00a0Ele,\u00a0 que\u00a0 tanto\u00a0 fez\u00a0 pela\u00a0 folia\u00a0 carioca,\u00a0 foi\u00a0 respeitoso\u00a0 at\u00e9\u00a0 no\u00a0 momento\u00a0 da\u00a0 morte,\u00a0 aguardou\u00a0 o\u00a0 fim\u00a0 do carnaval para descansar eternamente.<\/em><\/p>\n \u00a0Lalau\u00a0 se\u00a0 foi,\u00a0 e\u00a0 os\u00a0 ranchos\u00a0 foram\u00a0 junto\u00a0 com\u00a0 ele.\u00a0 Mas\u00a0 o\u00a0 carnaval\u00a0 n\u00e3o\u00a0 ficaria\u00a0 orf\u00e3o\u00a0 do\u00a0 pov\u00e3o.\u00a0 E\u00a0 dos\u00a0 morros\u00a0 brotaram\u00a0 as\u00a0 primeiras\u00a0 escolas\u00a0 de\u00a0 samba.\u00a0 Elas\u00a0 ganharam\u00a0 as\u00a0 ruas,\u00a0 cresceram,\u00a0 conquistaram o seu espa\u00e7o, e tudo isso erguido por m\u00e3os pretas.<\/em><\/p>\n \u00a0O\u00a0 tempo\u00a0 passou\u00a0 e\u00a0 os\u00a0 Cartolas\u00a0 passaram\u00a0 a\u00a0 dar\u00a0 as\u00a0 cartas,\u00a0 e,\u00a0 quando\u00a0 necess\u00e1rio,\u00a0 viram\u00a0 a\u00a0 mesa.\u00a0 O\u00a0 samba\u00a0 sambou!\u00a0 Mas\u00a0 como\u00a0 ser\u00e1\u00a0 o\u00a0 amanh\u00e3?\u00a0 O\u00a0 t\u00e3o\u00a0 sonhado\u00a0 Ziriguidum\u00a0 em\u00a0 2001,\u00a0 com\u00a0 seu\u00a0 carnaval\u00a0 nas\u00a0 estrelas,\u00a0 ainda\u00a0 ter\u00e1\u00a0 samba\u00a0 no\u00a0 p\u00e9?\u00a0 O\u00a0 sambista\u00a0 encontrar\u00e1\u00a0 seu\u00a0 espa\u00e7o\u00a0 entre\u00a0 carros\u00a0 aleg\u00f3ricos\u00a0 flutuantes\u00a0 e\u00a0 alas\u00a0 robotizadas?\u00a0 O\u00a0 cortejo\u00a0 continuar\u00e1\u00a0 espont\u00e2neo,\u00a0 ou\u00a0 estaremos\u00a0 militarizados?\u00a0 O\u00a0 Mestre-Sala\u00a0 ainda\u00a0 riscar\u00e1\u00a0 o\u00a0 asfalto?\u00a0 As\u00a0 cabrochas\u00a0 continuar\u00e3o\u00a0 a\u00a0 brilhar\u00a0 no\u00a0 samba?\u00a0 O\u00a0 samba\u00a0 nascer\u00e1\u00a0 da\u00a0 sensibilidade\u00a0 de\u00a0 um\u00a0 compositor,\u00a0 ou\u00a0 se\u00a0 dissipar\u00e1\u00a0 nos escrit\u00f3rios?<\/em><\/p>\n \u00a0No futuro, haver\u00e1 espa\u00e7o para o legado de Lalau?<\/em><\/p>\n 5 \u00ba Setor – O Eterno Cortejo de Lalau <\/strong><\/em><\/p>\n \u00a0O\u00a0 tempo\u00a0 avan\u00e7ou,\u00a0 mas\u00a0 o\u00a0 batuque\u00a0 de\u00a0 Lalau\u00a0 ainda\u00a0 ecoa\u00a0 nos\u00a0 cora\u00e7\u00f5es\u00a0 dos\u00a0 foli\u00f5es.\u00a0 Se\u00a0 o\u00a0 Rancho\u00a0 desfilou\u00a0 sua\u00a0 \u00faltima\u00a0 marcha\u00a0 e\u00a0 a\u00a0 quarta-feira\u00a0 de\u00a0 cinzas\u00a0 tentou\u00a0 encerrar\u00a0 sua\u00a0 hist\u00f3ria,\u00a0 a\u00a0 verdade\u00a0 \u00e9\u00a0 que\u00a0 seu\u00a0 legado\u00a0 renasceu\u00a0 nos\u00a0 surdos\u00a0 e\u00a0 tamborins,\u00a0 nos\u00a0 riscados\u00a0 dos\u00a0 mestres-salas e no girar das porta-bandeiras.<\/em><\/p>\n \u00a0O\u00a0 cortejo\u00a0 n\u00e3o\u00a0 parou.\u00a0 Ele\u00a0 apenas\u00a0 mudou\u00a0 de\u00a0 forma.\u00a0 O\u00a0 esp\u00edrito\u00a0 irreverente\u00a0 e\u00a0 inovador\u00a0 de\u00a0 Hil\u00e1rio\u00a0 Jovino\u00a0 segue\u00a0 dan\u00e7ando\u00a0 pelas\u00a0 ruas\u00a0 e\u00a0 avenidas,\u00a0 agora\u00a0 sob\u00a0 os\u00a0 pavilh\u00f5es\u00a0 das\u00a0 escolas\u00a0 de\u00a0 samba,\u00a0 herdeiras\u00a0 naturais\u00a0 de\u00a0 sua\u00a0 vis\u00e3o.\u00a0 O\u00a0 que\u00a0 antes\u00a0 era\u00a0 improviso\u00a0 se\u00a0 tornou\u00a0 espet\u00e1culo.\u00a0 O que antes era resist\u00eancia virou tradi\u00e7\u00e3o.<\/em><\/p>\n \u00a0Mas\u00a0 a\u00a0 ess\u00eancia\u00a0 luta\u00a0 para\u00a0 n\u00e3o\u00a0 se\u00a0 perder.\u00a0 O\u00a0 samba,\u00a0 forjado\u00a0 nas\u00a0 noites\u00a0 de\u00a0 batuque\u00a0 da\u00a0 Pequena\u00a0 \u00c1frica\u00a0 e\u00a0 embalado\u00a0 pelo\u00a0 brilho\u00a0 dos\u00a0 ranchos,\u00a0 persiste.\u00a0 Ele\u00a0 desafia\u00a0 os\u00a0 novos\u00a0 tempos,\u00a0 driblando\u00a0 a\u00a0 espetaculariza\u00e7\u00e3o,\u00a0 o\u00a0 comercialismo\u00a0 e\u00a0 a\u00a0 modernidade\u00a0 fria\u00a0 que\u00a0 amea\u00e7a\u00a0 diluir\u00a0 sua\u00a0 alma popular.<\/em><\/p>\n \u00a0Seu\u00a0 legado\u00a0 acompanhou\u00a0 grandes\u00a0 nomes\u00a0 que\u00a0 perpetuaram\u00a0 essa\u00a0 tradi\u00e7\u00e3o:\u00a0 Jo\u00e3ozinho\u00a0 30\u00a0 e<\/em><\/p>\n \u00a0Pamplonas,\u00a0 com\u00a0 suas\u00a0 grandes\u00a0 hist\u00f3rias\u00a0 e\u00a0 a\u00a0 rever\u00eancia\u00a0 ao\u00a0 povo\u00a0 preto.\u00a0 Fernando\u00a0 Pinto,\u00a0 M\u00e1rcia\u00a0 Lage\u00a0 e\u00a0 Oswaldo\u00a0 Jardim,\u00a0 respons\u00e1veis\u00a0 pela\u00a0 exalta\u00e7\u00e3o\u00a0 de\u00a0 um\u00a0 Brasil\u00a0 tropical.\u00a0 E\u00a0 os\u00a0 grandes\u00a0 mestres\u00a0 do\u00a0 requinte\u00a0 e\u00a0 das\u00a0 cores,\u00a0 Viriato,\u00a0 Max,\u00a0 Rosa\u00a0 e\u00a0 Arlindo,\u00a0 que\u00a0 trouxeram\u00a0 brilho\u00a0 e sofistica\u00e7\u00e3o ao Carnaval.<\/em><\/p>\n \u00a0No\u00a0 fim\u00a0 das\u00a0 contas,\u00a0 o\u00a0 Rei\u00a0 de\u00a0 Ouro\u00a0 nunca\u00a0 deixou\u00a0 o\u00a0 carnaval.\u00a0 Est\u00e1\u00a0 nos\u00a0 passos\u00a0 que\u00a0 riscam\u00a0 o\u00a0 asfalto,\u00a0 nos\u00a0 versos\u00a0 entoados\u00a0 nas\u00a0 arquibancadas,\u00a0 na\u00a0 emo\u00e7\u00e3o\u00a0 que\u00a0 transforma\u00a0 a\u00a0 avenida\u00a0 em\u00a0 templo.\u00a0 Pois,\u00a0 enquanto\u00a0 houver\u00a0 um\u00a0 tamborim\u00a0 a\u00a0 vibrar,\u00a0 enquanto\u00a0 o\u00a0 povo\u00a0 fizer\u00a0 da\u00a0 rua\u00a0 seu\u00a0 palco e da alegria sua bandeira, o cortejo de Lalau continuar\u00e1.<\/em><\/p>\n \u00a0A festa n\u00e3o termina na Quarta-Feira de Cinzas; ela renasce, porque o samba nunca morre!<\/em><\/p>\n <\/p>\n \u00a0Sites Consultados: \u00a0<\/a>Rio Mem\u00f3rias<\/a> ,<\/a> \u00a0<\/a>Hil\u00e1rio Jovino Ferreira \u2013 Wikip\u00e9dia, a enciclop\u00e9dia livre<\/a> ,<\/a> \u00a0<\/a>Hil\u00e1rio Jovino Ferreira – Dicion\u00e1rio Cravo Albin<\/a> , \u00a0<\/a>Ax\u00e9 Rio! A Participa\u00e7\u00e3o das Tias Baianas na<\/a> \u00a0<\/a>Constru\u00e7\u00e3o da Cultura Popular Urbana do Rio de Janeiro, 1850-1930.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":" 11\u00aa colocada do grupo na edi\u00e7\u00e3o passada, o GRESV Imperiais de Madureira apresentou o enredo que levar\u00e1 para a disputa do Grupo Especial, na edi\u00e7\u00e3o comemorativa dos 10 anos do Carnaval Virtual. De autoria de Marcos Felipe Reis e Lucas Santoro, a agremia\u00e7\u00e3o ir\u00e1 defender, em 2025, o enredo “O Hil\u00e1rio cortejo de um Rei”.<\/p>\n","protected":false},"author":358,"featured_media":49785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[494,121,13],"tags":[],"class_list":["post-49870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnaval-virtual-2025","category-gresv-imperiais-de-madureira","category-grupo-especial"],"_links":{"self":[{"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/posts\/49870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/users\/358"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/comments?post=49870"}],"version-history":[{"count":1,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/posts\/49870\/revisions"}],"predecessor-version":[{"id":49871,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/posts\/49870\/revisions\/49871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/media\/49785"}],"wp:attachment":[{"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/media?parent=49870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/categories?post=49870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.carnavalvirtual.com.br\/site\/wp-json\/wp\/v2\/tags?post=49870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.carnavalvirtual.com.br\/site\/wp-content\/uploads\/2025\/05\/Imperiais-de-Madureira-Logo-2025.jpg\"){kind=logo}
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